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The Director:
Moussa Sene Absa, 
Senegal

Moussa Sene Absa overflows with creativity. He is an artist, writer, and musician, as well as a film director. He made his debut as an actor, then moved to directing with the production of his own stage play, La Légende de Ruba.  In cinema, he wrote the screenplay for Les Enfants de Dieu which was honoured at the Francophone film festival. 

His directorial debut, the short film Le Prix du Mensonge, earned him the Silver Tanit at the Carthage Film Festival in 1988.  His film Tableau Ferraille won the award for best photography at FESPACO 1997. He has also produced a popular daily comedy sketch, Gorgorlu, for Senegalese television.  His talent as a painter is also well established and his work has been exhibited in Senegal, Europe and North America.

Moussa Sene Absa’s feature films: Ca Twiste a Poponguine (1993), Tableau Ferraille (1995), Blues for a Diva (1998), are strikingly innovative, mixing styles and levels of narration. His latest film, shown at FESPACO in Ouagadougou in 2003 is Madame Brouette. 

Madame Brouette

Canada/Senegal/France. 2002. Drama. French with English subtitles. 104 mins. 

Proud and independent, Mati, also known as Madame Brouette (“Mrs. Wheelbarrow”), makes a living by pushing her wheelbarrow through the marketplace in Sandaga, Senegal. Divorced, she dreams of one day opening her own diner so she can earn a living with dignity, together with her daughter, Ndèye, and her friend, Ndaxté, who has also escaped from a violent marriage. Mati has had enough of men, and doesn’t want anything more to do with them. Fate, however, comes calling, in the person of charming and smooth-talking Naago, a cop. Despite her misgivings, Mati falls in love once again. This time, it may be the real thing… One day, at dawn, the residents of the Niayes Thiokeert district are awakened by the sound of gunfire. In full view of the horrified neighbours, a wounded Naago emerges from Mati’s house and collapses. What pushed Madame Brouette to this extreme?… Was is it really she who pulled the trigger?

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